Bettina WitteVeen is represented with her work “Vieques, Puerto Rico, US Navy Amphibious Training Range” at the exhibition The Big Picture: Photography’s Moment at the Nassau County Museum of Art.

Bettina WitteVeen’s film “Götterfunken” (Sparks of the Deity) participating in the Exhibition Songs Without Words: The Art of Music at the Nassau County Museum of Art (NY, USA) from Nov 20, 2021 - March 6, 2022.

Bettina WitteVeen’s “Blue Buddha” Polyptych participating in the Exhibition blue at the Nassau County Museum of Art (NY, USA) from March 14 - November 2, 2020, among other artists like Matisse, Hokusai, Picasso or Klein.

Bettina WitteVeen created a specific installation, entitled “5 Wounds”, for St. John the Divine’s (NY, USA) exhibition titled The Christa Project from October 6, 2016 to March 12, 2017.

The exhibition explores the language, symbol, art and ritual associated with the historic concept of the Christ image, and the ways the divine is manifested in every person, across every gender, race, ethnicity and sexual orientation.

WitteVeen installed 5 life-size photo-sculptures depicting the societal wounds of Greed, Racism, Militarism, Totalitarianism, and Nuclear Weapons in a side chapel of the cathedral.

Bettina WitteVeen’s “The 3 Fates” is shown at munichmodern/13 (Munich, Germany), this year’s edition entitled “To Be Or Not To Be. Portrait Today” from November 7-17, 2013.

Goethe’s lyric “Der Erlkönig” is the departure point for Bettina WitteVeen’s poetic and atmospheric short film, which will be shown at Cutlog Paris 2013, from October 24 - 27, 2013.

The Film is nominated for the “New Writing Prize” and the “Discovery Prize”.

Bettina WitteVeen’s Triptych “Leni Riefenstahl dancing in the film TIEFLAND from 1943“ is shown at munichmodern/12 (Munich, Germany) PRINCIPLES OF COMPOSITION from November 21- December 01, 2012.

Bettina WitteVeen is represented with 5 of her works at munichmodern/11 (Munich, Germany) LES FLEURS DU MAL from October 19 - 29, 2011.

The Monograph “Sacred Sister” with photographs by Bettina WitteVeen is published by Verve Editions. An elegant suite of pavilions for the exhibition has been designed by Robert Wilson, one of the major figures of the avant-garde, whose working process in this collaborative effort is documented in detail. Art historian Charles A. Riley II, Ph.D. traces the mythological and allegorical meanings in the essay “The Lateral Artistry of Bettina WitteVeen”.

Bettina WitteVeen is participating with 12 photographic works of her “Hybrid Identities” Series in the Exhibition “Body Art: Marks of Identity” at the American Museum of Natural History (NY, USA) from November 20, 1999 to May 29, 2000.